Two collections of mostly unreleased beats/demos/ideas from early 2010 – mid 2011 for free download.
“I have tons of these unfinished bastards lying around. So, here are some of them. Most of these were probably recorded and abandoned while i was distracted watching Spongebob or Cops or something. Enjoy.” – Electric Sea Spider via Bandcamp
Jonti may not be a familiar name just yet but that’s no reflection of his resume. Multi-instrumentalist, arranger, producer, and vocalist, Jonti, began assembling music after his departure from South Africa to Australia in 1999. Spending countless hours studying records like they were books, processing each song, this became Jonti’s music school, testing his theories on a 4-track recorder.
If you love music, eventually you meet others who do too. In the past year, through different projects, Jonti has recorded with Mark Ronson, Santigold, Sean Lennon and the Dap-Kings, as well as producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile). Ironically, for Jonti’s solo album, he decided to purposely go the opposite route, doing everything himself, start to finish.
Although Jonti describes his music as simple, label head Peanut Butter Wolf sees it as anything but that. “I understand the pop references because his music is so catchy, but the arrangements blew me away. I couldn’t figure out how the hell he did what he did. That he did it all on his own at such an early age kinda scared me. I knew right away I needed to add him to the roster.” You will soon understand why Stones Throw is proud to present it’s first Australian signing Jonti as a new member of the family.
Prof.Logik an experimental hip hop producer from South Carolina delivers the raw Dust Fragmentation tape. Structured for a cassette tape release Dust Fragmentation offers dirty drums, raw basslines and lovely and lush synth work. The combination works beautifully like sweet and sour in fine cuisine.
from Prof.Logik bandcamp – “This is a hard copy cassette release. If you only want a digital copy its $5.00 just send me a message (dexx79@hotmail.com). Cassettes are not ready but you get a digital copy right away!”
Zenios is a producer from Springfield Ohio. Zenios’ sound could be described as electronic meditation in deep space. His influences often stem from Japanese anime, video games and the place in your mind between being asleep and awake. Zenios has released three albums, Ill Meditation, Mercury Crimson Dream and Pure Meditation; he also released Zeniosphere Slow Rotation Mix 1 & 2. The video post is a new collaboration between Zenios and two MCs, Stainless Steele and Maf Maddix. Look out for more from them in the near future.
Lapalux is an Electronic/IDM/Hip Hop producer out of Essex, UK who has been pumping out loads of original material in the past several years including a handful of exclusive mixes for various blogsites, original works on soundcloud and two official EP releases. Lapalux’s approach to the production process is pretty much fearless, he’ll attempt to lay hip hop vocal reworks over a floating soundscape with no drums at all and other times chop up a vocal melody over more chaotic drum patterns but remaining in the lush floaty world that seems to be uniquely his own. Lapalux played a live set at the Boiler Room in April, here is the live mix from that show as well as his remix of Abel’s Skipping Puddles for download.
Swedish band Little Dragon is reportedly named after its petite Swedish-Japanese lead singer Yukimi Nagano’s temper, and all of her fire-breathing moods are on full display with their third record, Ritual Union, out in July. Think ’80s vintage Prince at his horniest, fronted by Björk, and you’ll get an idea of the band’s funked-up and odd sound. Sticking to their all-synths, no-guitar policy, the record is sure to be your sultry summer soundtrack. Or at least it’ll be the shit your girl plays to explain why she’s breaking up with you.
On April 17, ?uestlove teamed up with Parisian star Keren Ann to present “Philly-Paris Lockdown,” a one-night celebration of 1900s Paris that took place at this year’s Philadelphia International Festival of the Arts. Keren Ann is a multi-instrumentalist, producer, engineer and songwriter with six solo albums to her credit. Her recent 101 has already attracted acclaim for its subtle intricacies and strong storytelling.
For “Philly-Paris Lockdown,” ?uestlove and Keren Ann were joined by a slew of artists to present an event awash in jazz, classical and hip-hop styles. The collaboration reworks compositions from Satie, Ravel, Debussy and Stravinsky.
1865 is a producer and MC originally from Colorado but more recently is living in San Francisco. His debut album “Dark Matter” was released in 2007 he then released an EP titled “Sodium Girl” about a year later. Dark Matter also had a short run release on vinyl. 1865’s style has a very original sound that is like mid 90s boom bap fused with down-tempo electronic music. 1865’s rhyme style is reminiscent of Andre from Outkast mixed with Del the Funky Homosapien but is unique to his own style and content. 1865 also majored in astronomy in college, his album title and song topics often touch on the science as well. 1865’s choice of production hardware is an ASR-10 which give his drums and sampling a mechanical feel but is layered with spacey and lush melodies. In more recent years it’s been more difficult to find any press/media from the artist but fortunately he’s left us with these two very original projects. Have a listen and support 1865 at 1865 at CDbaby
Datahowler invites you aboard his spacecraft for an interstellar journey into sound. Focusing on themes of outer space and time, Datahowler’s debut solo album, Slowdrifter, is an adventure into 1950s science fiction aesthetics, updated with just the right dose of modern technology. The music explores a diverse range of sounds, paralleling the multidimensionality of space travel.
There is often a misinterpretation that producers cannot play their own instruments, however that is not the case here. Datahowler can certainly still flip a sample, but he did not want to lean on samples as a crutch. Instead he chose to play live instruments on Slowdrifter in order to properly communicate the music’s thematic elements. The idea that one could space travel and explore the unknown final frontier is a metaphor for how Datahowler chooses to explore sound and humanity.